Counting the Omer in Funkytown

Today is the thirty-seventh day of the Omer, which according to Jewish mystical symbolism corresponds to the Divine attribute of Gevurah (“Strength”) within Yesod (“Foundation.”)

Looking for spiritually alternative ways to count the Omer? Click above to watch/listen to the great John Zorn Ensemble perform “Gevruah,” then below for Zorn’s “Yesod,” as performed by the Crakow Klezmer Band.

As you listen, read this rendering of Psalm 24 by Stephen Mitchell:

The earth belongs to the Lord
     and everything on it is his.
For he founded it in empty space
     and breathed his own life-breath into it,
filling it with manifold creatures,
     each one precious in his sight.

Who is fit to hold power
     and worthy to act in God’s place?
Those with a passion for the truth,
     who are horrified by injustice,
who act with mercy to the poor
     and take up the cause of the helpless,
who have let go of selfish concerns
    and see whole earth as sacred,
refusing to exploit her creatures
     or to foul her waters and her lands.
Their strength is in their compassion;
     God’s light shines through their hearts.
Their children’s children will bless them,
    and the work of their hands will endure.

And/or this excerpt from James Dickey’s poem, “The Strength of the Fields:”

Dear Lord of all the fields
                                             what am I going to do?
                                      Street-lights, blue-force and frail
As the homes of men, tell me how to do it
    To withdraw    how to penetrate and find the source
      Of the power you always had
                                            light as a moth, and rising
       With the level and moonlit expansion
    Of the fields around, and the sleep of hoping men.
       You?    I?    What difference is there?    We can all be saved
       By a secret blooming. Now as I walk
The night    and you walk with me    we know simplicity
  Is close to the source that sleeping men
       Search for in their home-deep beds.
      We know that the sun is away    we know that the sun can be conquered
   By moths, in blue home-town air.
          The stars splinter, pointed and wild. The dead lie under
The pastures.    They look on and help.    Tell me, freight-train,
                            When there is no one else
   To hear. Tell me in a voice the sea
         Would have, if it had not a better one: as it lifts,
          Hundreds of miles away, its fumbling, deep-structured roar
               Like the profound, unstoppable craving
            Of nations for their wish.
                                                      Hunger, time and the moon:
         The moon lying on the brain
                                                    as on the excited sea    as on
          The strength of fields. Lord, let me shake
         With purpose.    Wild hope can always spring
         From tended strength.    Everything is in that.
            That and nothing but kindness.    More kindness, dear Lord
Of the renewing green.    That is where it all has to start:
         With the simplest things. More kindness will do nothing less
             Than save every sleeping one
             And night-walking one
         Of us.
                  My life belongs to the world. I will do what I can.

The Anti-Psalms of Alicia Ostriker

I’ve been reading a lot of poet/scholar Alicia Ostriker’s stuff lately – and find myself especially drawn to her creative observations on the Bible. (Highly recommended, her book “For the Love of God: The Bible as an Open Book.”)

Check out her take on the Psalms:

The Psalms are glorious. No, the Psalms are terrible. No, the Psalms are both glorious and terrible, both attractive and repulsive to me emotionally and theologically. I read as a poet and a woman, a literary critic and a left-wing Jew who happens to be obsessed with the Bible. And when I read these poems, I experience a split-screen effect: wildly contradictory responses.

As Catullus says: I love and hate. And it is excruciating.

The Psalms are overwhelmingly beautiful as poems. They represent the human spirit, my own spirit, in its intimate yearning for a connection with the divine Being who is the source of all being, the energy that creates and sustains the universe. Unlike the portions of the Bible that lay down rules and regulations (I skip these), and unlike the narratives that tell compelling tales of patriarchs and matriarchs, judges, warriors and kings, but don’t tell how they feel, what they think, what it all means to them–the Psalms are love poems to God. Since the course of true love never does run smooth, the Psalms are poems of emotional turbulence.

Wrestling with the what she calls “the need of God, the violence of god,” Ostriker herself has written what she calls “anti-Psalms” – consciously addressing a “God who deals cruelly with us and demands our praise.”

Here is one example (I just love what she does here):

I am not lyric any more
I will not play the harp
for your pleasure

I will not make a joyful
noise to you, neither
will I lament

for I know you drink
lamentation, too,
like wine

so I dully repeat
you hurt me
I hate you

I pull my eyes away from the hills
I will not kill for you
I will never love you again

unless you ask me

If you are digging this kind of thing as much as I do, read Ostriker’s essay “Psalm and Anti-Psalm: A Personal View” and this conversation on the Psalms between Ostriker and Christian poet Peter O’Leary.